How to find the perfect statement sofa

by | Oct 30, 2020 | Inspiration | 0 comments

Living Room Detail

Finding a statement sofa isn’t as simple as walking into a showroom and picking one – it takes thought and a little research.

If you’re currently looking for the perfect statement sofa, you’re in luck. Here are four things that I keep in mind when sourcing a statement sofa for my interior design clients – whether I’m using a well-known furniture dealer or if it’s a bespoke piece.

Insight is thanks to three decades’ experience, coupled with an intense, but real, fear of buyer’s remorse:

    1. AESTHETICS
      Will the statement sofa be the start or endpoint of the interior design you’re going for? What I mean is, do you want it to be the hero piece in the room (so the rest of the interior design is informed by the sofa’s aesthetics), or will the statement sofa be influenced by the aesthetics of the space it’s going into? Will the style of the statement sofa – whether it’s minimalist and contemporary or a classical high-back – ‘talk’ to the style of the space, and vice versa? Lastly, consider the proportion of the statement sofa in relation to its placement.
    2. FRAME
      The frame is the foundation of the sofa, and it should be made from a good, strong timber. Then, do you want a sprung-edge or hard-edged sofa? A high-end statement sofa will almost always have a sprung-edge; a bit like how some mattresses have a box spring underneath for luxurious comfort and easy getting up (an essential element once you reach a certain age!)
    3. COMFORT
      I’ve seen many a statement sofa comfort pitfall: tall people with knees to their ears; the vertically challenged disappearing in cushions. Do you want a sofa you can sink into with a G&T after a challenging day at work, or would you prefer a sofa that has some back support? For a soft comfort-level, you’ll need to consider down inserts in the seat and back cushions; for medium comfort, a foam core with a down wrap (so seat cushions pop up back into shape once you stand up) is a must. Personally, I like to channel Goldilocks with a medium to medium-soft comfort-level.
    4. FUNCTION
      A sofa is similar to a bed: it’s a piece of furniture that has a function, after all. Ask yourself what you’ll be using the statement sofa for (watching TV would require the back of the sofa to slant backwards a bit, for example). Where will the sofa be placed (in a formal living room, a children’s rumpus room, or in a commercial space?). And how many people need a seat (this includes fur-children for some!). The statement sofa’s function will also inform what type of fabric it needs to be in (stretchy, natural fibre for casual use or part-polyester so it’s firmer?) Do you want a luxe, velvet feel, or leather for the man cave?

Investing in a statement sofa you can actually use is essential – even more so in a Covid-19 world, where we’re spending more time than ever at home. By keeping these four factors in mind you’ll have all your bases covered, so there’s no wasting of money (and no visits to the chiro).

Have a look at some bespoke statement sofas we’ve created for our clients (although at Marylou Sobel Interior Design we buy sofas from reputable furniture dealers, too):

 

  1. A classic, linen sofa with the seat back fully upholstered. Two of the seat cushions are filled with a foam core and down wrap for a medium-firm comfort. The timber legs are on castors at the front, no castors at back. Photography: Lisa Cohen

     

     

  2. A classic/contemporary linen sofa with slip cover; back and seat cushions filled with feather and down for a medium-soft comfort level. Photography: Maree Homer

     

     

  3. A classic/contemporary patterned-linen sofa with slip cover; back cushions filled with feather and down and seat cushions filled with foam and down wrap. Photography: Maree Homer

     

     

  4. A classic/contemporary upholstered sofa in blue velvet; seat cushion filled with a foam core and a down wrap. Seat back fully upholstered; single cushion for seat only. Photography: Maree Homer

     

     

  5. A classic/contemporary sofa in striped linen (needed pattern matching) with slip cover; two seat cushions filled with foam and down wrap. Back cushions filled with feather and down.  Photography: Lisa Cohen

     

    Curious about these hero pieces we’ve created? Contact us  so we can help you make a statement of your own.

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Stephanie Nadel

Assosciate Interior Architect

What makes Stephanie Nadel’s success story so remarkable is that she has come so far, so fast.
Stephanie, the Associate Interior Architect at Marylou Sobel Interior Design, has gained more experience, and handled more responsibilities in the past ten years than many other design professionals take on in their careers.

Stephanie, a multi-talented full service professional, carried out a wide variety of commercial and residential design tasks while she was based in London. She worked for three prominent interior design firms, as well as on her own, and served clients around the world.

In the process, she helped complete within 12 weeks the design and installation of a penthouse suite on The World, the luxury residential yacht that circumnavigates the globe. Prior to this Stephanie lead the full refurbishment of a lavish, Grade II listed, five bedroom home in the Hampstead Garden suburbs in London.

During her five years in London, she worked with Gensler, the world’s largest collaborative design, planning and consulting firm; MoreySmith, a leading design and architecture studio, and Fiona Barratt Interiors, an award-winning luxury design firm.

Assisting with projects for those firms, launching her own residential practice, and interacting with vendors worldwide provided her with project management, creative problem solving, sourcing, technical and other skills that benefit her clients today.

Stephanie earned her Bachelor of Interior Architecture degree at the University of New South Wales.

While she is adept in several aspects of design, she’s particularly interested in the challenge of refurbishing existing spaces. “I enjoy the problem solving that’s involved with existing buildings,” she says. “Although it is always a privilege to design alongside a team to create new and innovative structures, I love creating meaningful design from older properties and taking inspiration from heritage details.”

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