More than meets the eye . . . The French Cloche Pendant Light

by | May 4, 2015 | Design, Inspiration, Life Of A Designer | 0 comments

The cloche pendant light brings a classicism and elegance to any room.  It exquisitely combines function (lighting) with beauty and ambience.  However, there is more to these beautiful pieces than meets the eye.

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The cloche pendant lights you see in the image above started their life with an entirely different purpose – to cover melon crops in the fields of the French countryside in order to protect them from frost and snow.  Amazing, yes?

Translated from French, the word cloche means ‘bell’, and so these simple glass structures, because of their distinctive bell shape, were called cloches.

Cloching – of a form – has an ancient history, with glass structures being used as far back as Roman time to protect crops from the elements and to encourage their growth.  As with many things, the French soon took this simple technique and elevated it to something resembling an art form, perfecting crop raising using cloches.

Initially French cloches were simple, though large, glass bell jars, blown by Italian glassmakers.  By 1600, Olivier de Serres (translated: Olivier of the greenhouses), renowned agronomist and author of ‘the’ guide to agriculture of the age, was using them to grow and protect melons.

This first all-glass iteration, however, was expensive to make and fragile.  A new ‘improved’ version, produced in England, came along in 1677.  This version no longer had the classic bell shape, and was made from pieces of glass, often from old window panes, set in lead.  Though more decorative, they still served a purely functional purpose.

Despite the changes in design, the traditional bell jar cloche remained the preferred form in many places. By the 19th century, French market gardeners were predominately using bell jar cloches but made of a heavier glass than previously.  It has been said that, at the height of market gardens in the 19th century, these beautiful glass jars covered the fields outside of Paris as far as the eye could see!

Glass Bell Jars - Cloche image

Source: http://pixgood.com/glass-garden-cloche.html

 

Modern reproductions of these glass cloches are available for gardeners today, but somehow they don’t have the magnificence of the 19th century (or earlier) pieces.  It is no wonder that structures of such beauty and history have found their way into homes as decorative pieces.  When used to make pendant lights these beautifully decorative pieces have become, through some clever engineering, highly functional as well.

For my clients, I mainly source cloches from an antique dealer, however they can sometimes be obtained from specialist retailers like Parterre in Woollahra (http://www.parterre.com.au/) and The Country Trader in Waterloo (http://www.thecountrytrader.com.au/).

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Stephanie Nadel

Assosciate Interior Architect

What makes Stephanie Nadel’s success story so remarkable is that she has come so far, so fast.
Stephanie, the Associate Interior Architect at Marylou Sobel Interior Design, has gained more experience, and handled more responsibilities in the past ten years than many other design professionals take on in their careers.

Stephanie, a multi-talented full service professional, carried out a wide variety of commercial and residential design tasks while she was based in London. She worked for three prominent interior design firms, as well as on her own, and served clients around the world.

In the process, she helped complete within 12 weeks the design and installation of a penthouse suite on The World, the luxury residential yacht that circumnavigates the globe. Prior to this Stephanie lead the full refurbishment of a lavish, Grade II listed, five bedroom home in the Hampstead Garden suburbs in London.

During her five years in London, she worked with Gensler, the world’s largest collaborative design, planning and consulting firm; MoreySmith, a leading design and architecture studio, and Fiona Barratt Interiors, an award-winning luxury design firm.

Assisting with projects for those firms, launching her own residential practice, and interacting with vendors worldwide provided her with project management, creative problem solving, sourcing, technical and other skills that benefit her clients today.

Stephanie earned her Bachelor of Interior Architecture degree at the University of New South Wales.

While she is adept in several aspects of design, she’s particularly interested in the challenge of refurbishing existing spaces. “I enjoy the problem solving that’s involved with existing buildings,” she says. “Although it is always a privilege to design alongside a team to create new and innovative structures, I love creating meaningful design from older properties and taking inspiration from heritage details.”

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